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R. STEVIE MOORE "FAR OUT" rsteviemoore's rock'n'roll service drops SEPTEMBER 11, 2004 ink saver |
01. Stuart's Party (1:49)
Completed masters that the record company rejected (saved for future box sets?):
25. You Make Me Feel Brand New (Bell-Creed) all wrongs reversed
Also available on CDR $12 (inflation)
Download several mp3s HERE DON'T VOTE. Coming to a cut-out bin near you..."Don't forget my sister albums Conscientious Objector and The Yung and Moore Show" -- Next album: Save R. Stevie |
Sun, July 25
STUART'S PARTY
Welcome home, my dearest
Welcome home from Port Chester
Now you're back in Jersey
Welcome home, my dearest
Welcome home from Stuart's party
You're back home now
You're in Bloomfield
Welcome home, my dearest
Yes, I fed the kitties
Could you make me
A tuna melt?
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AMG REVIEW: Long-term fans of R. Stevie Moore well know that there are times when their musical hero seems to get into a funk, which makes it all the more exciting when his artistic muse has clearly returned. Continuing an encouragingly strong string of releases stretching back to 2000's Love Compartment, 2004's Far Out ranks with Moore's most entertaining and sharply focused records of the last decade. Starting off with the brief "Stuart's Party," a pretty, piano-based welcoming, the disc immediately leaps into first gear with the medley of Lane Steinberg's yearning, Big Star-like "What Do I Do for the Rest of My Life" and Moore's own "Don't Bore Us, Get to the Chorus," the sort of multi-part pop operetta that Paul McCartney was so fond of in the Wings days, and truly one of Moore's finest songs. Other highlights include a pair of tracks from Moore's upcoming full-length collaboration with U.K. psych-pop cult hero Terry Burrows, a rambling live recording introduced by Dr. Demento, a couple of Moore's usual oddball cover choices (Daniel Johnston's "Cathy Cline" re-imagined as a sweet country tune, and a fascinating version of Matching Mole's "Starting in the Middle of the Day, We Can Drink Our Politics Away"), and a simply beautiful, almost orchestral instrumental rearrangement of Moore's 1977 classic "Don't Let Me Go to the Dogs." With Far Out, Moore's artistic renaissance continues. –Stewart Mason, All Music Guide babysue.com review jan05 I was too far out all my life.
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"The unaware are unaware they are unaware."