\ COLUMN 88


col88.jpg


r.stevie moore librarian <<


COLUMN 88 // NJ40 1981 C60 / CD
01. I MISS MY GIRL 3.14
02. CRUSH ON YOU 2.47
03. STATE OF AFFAIRS 2.08
04. WEIRD JAMMIN' NOW 1.39
05. SILLIE NUFF2 1.02
06. MOON RIVER 2.07
07. MAKING MYSELF MISERABLE 2.38
08. PERSONAL EVALUATION II 2.19
09. OVER A GIRL 4.54
10. ENOUGH ENOUGH 1.43
11. AIR TRAFFIC CONTROL 1.55
12. COLUMN EIGHTY-EIGHT 3.37

13. SHE WANTS EVERYTHING 3.28
14. NEWS BRIEF CASE .21
15. THREE FIFTY-SEVEN 5.20
16. STATION IDENTIFICATION .29
17. PIANIST ENVY 2.21
18. SPEAK N' SPELL .25
19. NOO WAVE INSTRUMENTAL .41
20. LOVE YOU FOREVER? 1.49
21. ROGER'S EYE DEES 1.32
22. THE MACHINE 3.34
23. SILLIE NUFF 3 .39
24. TOO LATE 2.43
25. I GOT MY FAMILY WAITING 3.14
26. FOR MURRY W. 3.23
27. ID .35

Total Time 60.43

Participation:

Billy Anderson - drums 03,07,24, piano 17,22
Dawn Ferguson - drums 04
Jim Price - drums 05,12, guitar 09
Roger Ferguson - voice 06,17,21,27
Mike Hopper - guitar 04,07, voice 17,22
Margaux Ravis - voice 08
Goody Goody - discotrack 08
Chris Bolger - bass 09,12,20
Griffin Sisters - voices 13,24
Irwin Chusid - drums 13
Mark Cudnik - drums 17,19,22
M Wilson - orch 26

Recorded in Nashville and NJ
Composed by RSM, except:
06 by Mancini/Mercer
13 some lyrics by Griffin
22 by Hopper

font by 'OCR A EXTENDED'
CD cover art ©2002 by Rich LaBonte, Los Angeles

inksaver

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AMG REVIEW: Most of R. Stevie Moore's albums are oddly timeless: you can imagine them being recorded in 1973 or 2003. However, Column 88 is pure state-of-1981 new wave. Not that this is a bad thing, but Column 88 is very much an album of its time, in ways that albums like Clack! or Swing and a Miss aren't. As a general rule, the rhythms are herky-jerky, the tempos are rushed, and Moore has an uncharacteristic sharp edge to his voice, kind of in the David Byrne wound-too-tight mode. However, Moore releases the tension developed by nervy new wave rockers like "I Miss My Girl" and "She Wants Everything" with changes of pace, like the minimalist piano instrumental "Three Fifty-Seven," and the venomously hilarious "For Murry W," a nearly-spoken rant over a track from the Beach Boys' allegedly abusive father's sappy easy listening album, The Many Moods of Murry Wilson. The title track is yet another of Moore's richly atmospheric instrumentals, this one a heavily-reverbed mood piece along the lines of Joy Division, or early Comsat Angels. One does wish that new wave revivalists, like Interpol or Whirlwind Heat, would check out Column 88 to get a broader sense of what real new wave was all about.

–Stewart Mason, All Music Guide



Download available at Bandcamp

Also available on CDR $12







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