The Beatles ("White Album") and "Hey Jude" single sessions

30 May 1968
Studio Two, EMI Studios, London (2.30pm-2.40am)[130]

    Recording
        "Revolution I" (takes 1-18)

31 May 1968
Studio Three, EMI Studios, London (2.30pm-12.00pm)[131]

    Recording
        "Revolution I" (SI onto take 18, tape reduction take 18 into take 19, SI onto take 19)

4 June 1968
Studio Three, EMI Studios, London (2.30pm-1.00am)[131]

    Recording
        "Revolution I" (SI onto take 19, creating tape loops takes 1 and 2, tape reduction take 19 into take 20, SI onto take 20)
    Mono mixing
        "Revolution I" (unnumbered rough remix from take 20)

5 June 1968
Studio Three, EMI Studios, London (2.30pm-1.30am)[132]

    Recording
        "Don't Pass Me By" (takes 1-3, tape reduction take 3 into takes 4 and 5, SI onto take 5, tape reduction take 5 into take 6)

6 June 1968
Studio Two, EMI Studios, London (2.30pm-2.45am)[132]

    Recording
        "Don't Pass Me By" (SI onto take 5, tape reduction take 5 into take 7, SI onto take 7)
    Mono mixing
        "Don't Pass Me By" (unnumbered rough remix from take 7)
    Recording
        "Revolution 9" (Sound effects takes 1 -12)

10 June 1968
Studio Three, EMI Studios, London (2.30pm-5.45pm)[132]

    Recording
        "Revolution 9" (Sound effects takes 1 -3)

11 June 1968
Studio Two, EMI Studios, London (6.30pm-12.15am)[132]

    Recording
        "Blackbird" (takes 1 -32)
    Mono mixing
        "Blackbird" (remixes 1-6 from take 32)

Studio Three, EMI Studios, London (7.00pm-10.15pm)[132]

    Recording
        "Revolution 9" (Sound effects)

20 June 1968
Studios One, Two and Three, EMI Studios, London (7.00pm-3.30am)[133]

    Recording
        "Revolution 9" (Sound effects takes 1 and 2, compilation of master version with SI)

21 June 1968
Studio Two, EMI Studios, London (2.30pm-3.30am)[133]

    Recording
        "Revolution I" (SI onto take 20, tape reduction take 20 into take 21 and 22, SI onto take 22)
        "Revolution 9" (SI onto master version)
    Stereo Mixing
        "Revolution I" (Remixes 1-7, from Take 22)
        "Revolution 9" (Remixes 1 and 2, from master version)

25 June 1968
Studio Two (control room only), EMI Studios, London, (2.00pm-8.00pm)[134]

    Stereo Mixing
        "Revolution I" (Remixes 8-12 from take 22)
    Editing
        "Revolution 9" (of remix stereo 2)
    Tape copying
        "Revolution I" (of remix stereo 12)
        "Revolution 9" (of edit of remix stereo 2)

26 June 1968
Studio Two, EMI Studios, London (7.00pm-3.30am)[134]

    Recording
        "Everybody's Got Something To Hide Except For Me And My Monkey" (rehearsal)

27 June 1968
Studio Two, EMI Studios, London (5.00pm-3.45am)[134]

    Recording
        "Everybody's Got Something To Hide Except For Me And My Monkey" (takes 1 - 6, tape reduction take 6 into takes 7 and 8, SI onto take 8)

28 June 1968
Studio Two, EMI Studios, London (7.00pm-4.30am)[134]

    Recording
        "Good Night" (takes 1 - 5)

1 July 1968
Studio Two, EMI Studios, London (5.00pm-3.00am)[134]

    Recording
        "Everybody's Got Something To Hide Except For Me And My Monkey" (SI onto take 8, tape reduction take 8 into takes 9 and 10, SI onto take 10)

2 July 1968
Studio Two, EMI Studios, London (6.00pm-12.15am)[135]

    Recording
        "Good Night" (SI onto take 5, takes 6 - 15)

3 July 1968
Studio Two, EMI Studios, London (8.00pm-3.15am)[135]

    Recording
        "Ob-La-Di, Ob-La-Da" (takes 1- 7, SI onto take 3, SI onto take7)

4 July 1968
Studio Two, EMI Studios, London (7.00pm-2.15am)[135]

    Recording
        "Ob-La-Di, Ob-La-Da" (SI onto take 4, tape reduction take 4 into take 5, SI onto take 5)

5 July 1968
Studio Two, EMI Studios, London (5.00pm-1.30am)[135]

    Recording
        "Ob-La-Di, Ob-La-Da" (SI onto take 5)

8 July 1968
Studio Two, EMI Studios, London (5.00pm-3.00am)[136]

    Recording
        "Ob-La-Di, Ob-La-Da" (Remake, takes 1 - 12, tape reduction take 12 into take 13, SI onto take 13)
    Mono mixing
        "Ob-La-Di, Ob-La-Da" (unnumbered rough remix from take 13)

9 July 1968
Studio Three, EMI Studios, London (4.00pm-9.00pm)[136]

    Recording
        "Ob-La-Di, Ob-La-Da" (Re-re-make, takes 20 and 21)
        "Ob-La-Di, Ob-La-Da" (Remake, SI onto take 13, tape reduction take 13 into take 22, SI onto take 22)
        "Revolution" (Rehearsals)

10 July 1968
Studio Three, EMI Studios, London (7.00pm-1.30am)[137]

    Recording
        "Revolution" (Takes 1 - 10, tape reduction take 10 into takes 11-13, SI onto take 13, tape reduction take 13 into takes 14 and 15)

11 July 1968
Studio Three, EMI Studios, London (4.00pm-3.45am)[137]

    Recording
        "Revolution" (SI onto take 15)
        "Ob-La-Di, Ob-La-Da" (SI onto take 22)
        "Revolution" (tape reduction take 15 into take 16, SI onto take 16)
        "Ob-La-Di, Ob-La-Da" (tape reduction take 22 into takes 23 and 24, SI onto take 23)
    Mono mixing
        "Ob-La-Di, Ob-La-Da" (remixes 1 and 2 from take 23)

12 July 1968
Studio Two, EMI Studios, London (3.00pm-4.00am)[137]

    Recording
        "Don't Pass Me By" (SI onto take 7)
    Mono mixing
        "Don't Pass Me By" (remixes 1 - 4 from take 7)
        "Ob-La-Di, Ob-La-Da" (remixes 10 and 11 from take 23)
    Recording
        "Revolution" (SI onto take 16)
    Mono mixing
        "Revolution" (remixes 10 - 13 from take 16)

15 July 1968
Studio Two, EMI Studios, London (3.30pm-3.00am)[138]

    Mono mixing
        "Revolution" (remixes 20 and 21 from take 16)
    Recording
        "Ob-La-Di, Ob-La-Da" (SI onto take 23)
    Mono mixing
        "Ob-La-Di, Ob-La-Da" (remixes 12 - 21 from take 23)
    Recording
        "Cry Baby Cry" (unnumbered takes)

16 July 1968
Studio Two, EMI Studios, London (4.00pm-2.00am)[138]

    Recording
        "Cry Baby Cry" (takes 1 -10, tape reduction take 10 into takes 11 and 12, SI onto take 12)

18 July 1968
Studio Two, EMI Studios, London (2.30pm-3.30am)[138]

    Recording
        "Cry Baby Cry" (SI onto take 12)
        "Helter Skelter" (takes 1 - 3)

19 July 1968
Studio Two, EMI Studios, London (7.30pm-4.00am)[139]

    Recording
        "Sexy Sadie" (takes 1 - 21)

22 July 1968
Studio One, EMI Studios, London (7.00pm-1.40am)[139]

    Recording
        "Don't Pass Me By" (edit pieces 1 - 4)
        "Good Night" (takes 23 - 34, SI onto take 34)

23 July 1968
Studio Two, EMI Studios, London (7.00pm-2.30am)[139]

    Recording
        "Everybody's Got Something To Hide Except For Me And My Monkey" (SI onto take 10, tape reduction take 10 into takes 11 and 12, SI onto take 12)
    Mono mixing
        "Everybody's Got Something To Hide Except For Me And My Monkey" (remixes 1 - 5 from take 12)
        "Good Night" (remixes 1 - 6 from take 34)

24 July 1968
Studio Two, EMI Studios, London (7.00pm-2.30am)[140]

    Recording
        "Sexy Sadie" (Remake, takes 25 - 47)
        "Sound Effects"

25 July 1968
Studio Two, EMI Studios, London (7.00pm-3.15am)[140]

    Recording
        "While My Guitar Gently Weeps" (take 1)

29 July 1968
Studio Two, EMI Studios, London (8.30pm-4.00am)[140]

    Recording
        "Hey Jude" (takes 1 - 6)

30 July 1968
Studio Two, EMI Studios, London (7.30pm-3.30am)[140]

    Recording
        "Hey Jude" (takes 7 - 23, tape reduction take 23 into takes 24 and 25)
    Stereo mixing
        "Hey Jude" (remix 1 from take 25)

31 July 1968
Trident Studios, Trident House, London (2.00pm-4.00am)[141]

    Recording
        "Hey Jude" (Remake takes 1 - 4, SI onto take 1)

1 August 1968
Trident Studios, Trident House, London (5.00pm-3.00am)[141]

    Recording
        "Hey Jude" (SI onto take 1)

2 August 1968
Trident Studios, Trident House, London (2.00pm-1.30am)[142]

    Stereo mixing
        "Hey Jude" (remixes 1 - 3 from take 1)

6 August 1968
Trident Studios, Trident House, London (5.30pm-7.30pm)[142]

    Mono mixing
        "Hey Jude" (remix 1 from remix stereo 3)

7 August 1968
Studio Two, EMI Studios, London, (3.00pm-5.30am)[142]

    Tape copying
        "Hey Jude" (of remix mono 1)
    Recording
        "Not guilty" (takes 1 - 46)

8 August 1968
Studio Two, EMI Studios, London, (6.40pm-6.30am)[142]

    Mono mixing
        "Hey Jude" (remixes 2 - 4 from take 1)
    Recording
        "Not guilty" (takes 47 - 101)
    Tape copying
        "Hey Jude" (of remix mono 4, numbered 5)
        "Revolution" (of remix mono 21, numbered 5)

9 August 1968
Studio Two, EMI Studios, London, (7.30pm-2.00am)[142]

    Recording
        "Not Guilty" (tape reduction take 99 into take 102, SI onto take 102)
        "Mother Nature's Son" (takes 1 - 25)

12 August 1968
Studio Two, EMI Studios, London, (7.00pm-4.15am)[143]

    Recording
        "Not Guilty" (SI onto take 102)
    Mono mixing
        "Not Guilty" (remix 1 from take 102)

13 August 1968
Studio Two, EMI Studios, London, (7.00pm-5.30am)[143]

    Recording
        "Sexy Sadie" (Re-remake takes 100 - 107, tape reduction take 107 into takes 108 - 111)
        "Yer Blues" (takes 1 - 14, tape reduction take 6 into takes 15 and 16, tape reduction extract of take 14 into take 17)
    Editing
        "Yer Blues" (of takes 16 and 17)

14 August 1968
Studio Two, EMI Studios, London, (7.00pm-4.30am)[143]

    Recording
        "Yer Blues" (SI onto edit of takes 16 and 17)
    Mono mixing
        "Yer Blues" (remix 1 - 4 from edit of takes 16 and 17)
    Recording
        "What's The New Mary Jane" (takes 1 - 4)
    Mono mixing
        "What's The New Mary Jane" (remix 1 from take 4)
    Tape copying
        "Yer Blues" (of remix mono 3)
        "What's The New Mary Jane" (of remix mono 1)

15 August 1968
Studio Two, EMI Studios, London, (7.00pm-3.00am)[144]

    Recording
        "Rocky Raccoon" (takes 1 - 9, tape reduction take 9 into take 10, SI onto take 10)
    Mono mixing
        "Rocky Raccoon" (remix 1 from take 10)
    Tape copying
        "Yer Blues" (of remix mono 3)
        "Rocky Raccoon" (of remix mono 1)

16 August 1968
Studio Two, EMI Studios, London, (7.00pm-5.00am)[144]

    Recording
        "While My Guitar Gently Weeps" (Remake, takes 1 - 14, tape reduction take 14 into take 15)

20 August 1968
Studio Three, EMI Studios, London, (5.00pm-5.30pm)[145]

    Recording
        "Yer Blues" (edit piece take 1)
    Editing
        "Yer Blues" (of remix mono 3 and edit piece take 1)
    Mono tape copying
        "Revolution 9" (mono copy 1, from edit of remix stereo 2)

Studio Two, EMI Studios, London, (8.00pm-4.00am)[145]

    Recording
        "Mother Nature's Son" (SI onto take 24, tape reduction take 24 into take 26, SI onto take 26)
        "Etcetera" (take 1)
        "Wild Honey Pie" (take 1)
    Mono mixing
        "Mother Nature's Son" (remixes 1 - 8 from take 26)
        "Wild Honey Pie" (remixes 1 - 6 from take 1)

21 August 1968
Studio Two, EMI Studios, London, (7.30pm-7.15am)[145]

    Recording
        "Sexy Sadie" (tape reduction take 107 into take 112, SI onto take 112, tape reduction take 112 into takes 113-115, SI onto take 115, tape reduction take 115 into take 116 and 117, SI onto take 117)
    Mono mixing
        "Sexy Sadie" (remixes 1 - 5 from take 117)

22 August 1968
Studio Two, EMI Studios, London, (7.00pm-4.45am)[146]

    Recording
        "Back in the USSR" (takes 1 - 5)
    Tape copying
        "Baby You're A Rich Man" (of remix mono 1)

23 August 1968
Studio Two, EMI Studios, London, (7.00pm-3.00am)[146]

    Recording
        "Back in the USSR" (SI onto take 5, tape reduction take 5 into take 6, SI onto take 6)
    Mono mixing
        "Back in the USSR" (remix 1 - 8 from take 6)
    Tape copying
        "Back in the USSR" (of remix mono 1)
        "Rocky Raccoon" (of remix mono 1)
        "Wild Honey Pie" (of remix mono 6)
        "Mother Nature's Son" (of remix mono 8)
        "Sexy Sadie" (of remix mono 5)

26 August 1968
Studio Two (control room only), EMI Studios, London, (4.00pm-5.00pm)[146]

    Mono tape copying
        "Revolution 9" (mono copy 2, from edit of remix stereo 2)

27 August 1968
Studio Two (control room only), EMI Studios, London, (4.00pm-5.00pm)[146]

    Tape copying
        "Ob-La-Di, Ob-La-Da" (of remix mono 21)
        "Blackbird" (of remix mono 6)
        "Not Guilty" (of remix mono 1)
        "Revolution 9" (of edit of remix stereo 2)

28 August 1968
Trident Studios, Trident House, London (5.00pm-7.00am)[147]

    Recording
        "Dear Prudence" (take 1)

29 August 1968
Trident Studios, Trident House, London (7.00pm-6.00am)[147]

    Recording
        "Dear Prudence" (SI onto take 1)

30 August 1968
Trident Studios, Trident House, London (7.00pm-6.00am)[147]

    Recording
        "Dear Prudence" (SI onto take 1)

3 September 1968
Studio Two, EMI Studios, London, (7.00pm-3.30am)[148]

    Tape copying
        "While My Guitar Gently Weeps" (take 15 into take 16)
    Recording
        "While My Guitar Gently Weeps" (SI onto take 16)
    Tape copying
        "Revolution" (of take 16, rhythm track only)

5 September 1968
Studio Two, EMI Studios, London, (7.00pm-3.45am)[148]

    Recording
        "While My Guitar Gently Weeps" (SI onto take 16)
        "While My Guitar Gently Weeps" (Re-remake takes 17 - 44)

6 September 1968
Studio Two, EMI Studios, London, (7.00pm-2.00am)[149]

    Recording
        "While My Guitar Gently Weeps" (SI onto take 25)

9 September 1968
Studio Two, EMI Studios, London, (7.00pm-2.30am)[149]

    Recording
        "Helter Skelter" (Re-make, takes 4 - 21)

10 September 1968
Studio Two, EMI Studios, London, (7.00pm-3.00am)[149]

    Recording
        "Helter Skelter" (SI onto take 21)

11 September 1968
Studio Two, EMI Studios, London, (7.00pm-3.30am)[150]

    Recording
        "Glass Onion" (takes 1 - 34)

12 September 1968
Studio Two, EMI Studios, London, (8.30pm-1.30am)[150]

    Recording
        "Glass Onion" (SI onto take 33)

13 September 1968
Studio Two, EMI Studios, London, (8.00pm-1.45am)[150]

    Recording
        "Glass Onion" (SI onto take 33)

16 September 1968
Studio Two, EMI Studios, London, (7.00pm-3.00am)[150]

    Recording
        "I Will" (takes 1 - 67)
        "Can You Take Me Back? (improvisation)
        "Step Inside Love (improvisation)
        "Los Paranoius (improvisation)
        "The Way You Look Tonight (improvisation)
    Tape copying
        "I Will" (take 65 into take 68)
    Recording
        "Glass Onion" (SI onto take 33)

17 September 1968
Studio Two, EMI Studios, London, (7.00pm-5.00am)[150]

    Mono mixing
        "Helter Skelter" (remix 1 from take 21)
    Recording
        "I Will" (SI onto take 68)
    Tape copying
        "Cry Baby Cry" (take 12 into take 13)

18 September 1968
Studio Two, EMI Studios, London, (5.00pm-4.30am)[151]

    Recording
        "Birthday" (takes 1 - 20)
    Tape copying
        ""Birthday" (take 20 into takes 21 and 22)
    Recording
        "Birthday" (SI onto take 22)
    Mono mixing
        "Birthday" (remix 1 from take 22)

19 September 1968
Studios One and Two, EMI Studios, London, (7.15pm-5.30am)[151]

    Recording
        "Piggies" (takes 1 - 11)

20 September 1968
Studio Two, EMI Studios, London, (7.00pm-11.00pm)[152]

    Tape copying
        ""Piggies" (take 11 into take 12)
    Recording
        "Piggies" (SI onto take 12)

23 September 1968
Studio Two, EMI Studios, London, (7.00pm-3.00am)[152]

    Recording
        "Happiness Is A Warm Gun" (takes 1 - 45)

24 September 1968
Studio Two, EMI Studios, London, (7.00pm-2.00am)[152]

    Recording
        "Happiness Is A Warm Gun" (takes 46 - 70)

25 September 1968
Studio Two, EMI Studios, London, (7.30pm-6.15am)[152]

    Editing
        "Happiness Is A Warm Gun" (of takes 53 and 65, called take 65)
    Recording
        "Happiness Is A Warm Gun" (SI onto take 65)
    Mono mixing
        "Happiness Is A Warm Gun" (remixes 1 and 2 from take 65)

26 September 1968
Studio Two (Control room only), EMI Studios, London, (7.00pm-1.30am)[153]

    Mono mixing
        "Happiness Is A Warm Gun" (remixes 3 - 12 from take 65)
        "What's The New Mary Jane" (remixes 1 and 2 from take 4)
        "Glass Onion" (remixes 1 and 2 from take 33)
        "I Will" (remixes 1 and 2 from take 68)
    Recording
        "Glass Onion" (Sound effects)

1 October 1968
Trident Studios, Trident House, London (time unknown)[153]

    Recording
        "Honey Pie" (take 1)
    Mono mixing
        "Honey Pie" (unnumbered rough remix from take 1)

2 October 1968
Trident Studios, Trident House, London (4.00pm-3.30am)[153]

    Recording
        "Honey Pie" (SI onto take 1)

3 October 1968
Trident Studios, Trident House, London (time unknown)[153]

    Recording
        "Savoy Truffle" (take 1)

4 October 1968
Trident Studios, Trident House, London (4.00pm-4.30am)[154]

    Recording
        "Martha My Dear" (take 1)
        "Honey Pie" (SI onto take 1)
        "Martha My Dear" (SI onto take 1)

5 October 1968
Trident Studios, Trident House, London (6.00pm-1.00am)[154]

    Recording
        "Savoy Truffle" (SI onto take 1)
        "Martha My Dear" (SI onto take 1)
    Mono mixing
        "Honey Pie" (remix 1 from take 1)
        "Martha My Dear" (remix 1 from take 1)
        "Dear Prudence" (remix 1 from take 1)
    Stereo mixing
        "Honey Pie" (remix 1 from take 1)
        "Martha My Dear" (remix 1 from take 1)

7 October 1968
Studio Two, EMI Studios, London, (2.30pm-7.00am)[154]

    Tape copying
        "Honey Pie" (of remix mono 1 and remix stereo 1)
        "Martha My Dear" (of remix mono 1 and of remix stereo 1)
    Stereo mixing
        "While My Guitar Gently Weeps" (remix 1 from take 25)
    Mono mixing
        "While My Guitar Gently Weeps" (remixes 1 and 2 from take 25)
    Recording
        "Long Long Long" (takes 1 - 67)

8 October 1968
Studio Two, EMI Studios, London, (4.00pm-8.00am)[155]

    Recording
        "Long Long Long" (SI onto take 67)
        "I'm So Tired" (takes 1 - 14)
        "The Continuing Story Of Bungalow Bill" (takes 1 - 3)

9 October 1968
Studio Two, EMI Studios, London, (7.00pm-5.30am)[155]

    Stereo mixing
        "The Continuing Story Of Bungalow Bill" (remixes 1 and 2 from take 3)
    Mono mixing
        "The Continuing Story Of Bungalow Bill" (remix 1 from take 3)
    Recording
        "Long Long Long" (SI onto take 67)
    Tape copying
        "Helter Skelter" (of take 3)

Studio One, EMI Studios, London, (time unknown)[155]

    Recording
        "Why Don't We To Do It In The Road" (take 1 - 5)

10 October 1968
Studio Two, EMI Studios, London, (7.00pm-7.15am)[156]

    Recording
        "Piggies" (SI onto take 12)
        "Glass Onion" (SI onto take 33)
    Stereo mixing
        "Glass Onion" (remixes 1 and 2 from take 33)
        "Rocky Raccoon" (remix 1 from take 10)
        "Long Long Long" (remixes 1 - 4 from take 67)
    Mono mixing
        "Glass Onion" (remixes 10 and 11 from take 33)

Studio Three, EMI Studios, London, (time unknown)[156]

    Recording
        "Why Don't We To Do It In The Road" (SI onto take 5, tape reduction take 5 into take 6, SI onto take 6)

11 October 1968
Studio Two, EMI Studios, London, (3.00pm-6.00pm)[156]

    Recording
        "Savoy Truffle" (SI onto take 1)

Studio Two (control room only), EMI Studios, London, (6.00pm-12.00pm)[156]

    Mono mixing
        "Piggies" (remixes 1 - 4 from take 12)
        "Don't Pass Me By" (remix 1 from take 7 and edit of edit piece 4)
        "Good Night" (remixes 1 and 2 from take 34)
    Stereo mixing
        "Piggies" (remixes 1 - 3 from take 12)
        "Don't Pass Me By" (remix 1 from take 7 and edit of edit piece 4)
        "Good Night" (remix 1 from take 34)

12 October 1968
Studio Two (control room only), EMI Studios, London, (7.00pm-5.45am)[156]

    Stereo mixing
        "Everybody's Got Something To Hide Except For Me And My Monkey" (remix 1 from take 12)
        "Helter Skelter" (remixes 1 - 5 from take 21)
        "Mother Nature's Son" (remixes 1 and 2 from take 26)
        "Ob-La-Di, Ob-La-Da" (remixes 1 - 4 from take 23)
    Mono mixing
        "Everybody's Got Something To Hide Except For Me And My Monkey" (remix 1 from take 12)
        "Mother Nature's Son" (remixes 1 and 2 from take 26)
        "Ob-La-Di, Ob-La-Da" (remix 10 from take 23)
        "Long Long Long" (remix 1 from take 67)

13 October 1968
Studio Two, EMI Studios, London, (7.00pm-6.00am)[156]

    Recording
        "Julia" (takes 1 - 3)
    Stereo mixing
        "Julia" (remix 1 from take 3)
        "Dear Prudence" (remix 1 from take 1)
        "Wild Honey Pie" (remixes 1 and 2 from take 1)
        "Back In The USSR" (remix 1 from take 6)
        "Blackbird" (remix 1 from take 32)
    Mono mixing
        "Julia" (remix 1 from take 3)
        "Dear Prudence" (remixes 1 - 5 from take 1)
        "Blackbird" (remix 10 from take 32)

14 October 1968
Studio Two, EMI Studios, London, (7.00pm-7.30am)[157]

    Recording
        "Savoy Truffle" (SI onto take 1)
    Stereo mixing
        "I Will" (remix 1 from take 68)
        "Birthday" (remix 1 from take 22)
        "Savoy Truffle" (remixes 1 and 2 from take 1)
        "While My Guitar Gently Weeps" (remixes 10 - 12 from take 25)
        "Yer Blues" (remixes 1 - 5 from take 16 and 17 and edit piece 1)
        "Sexy Sadie" (remixes 1 - 3 from take 117)
        "What's The New Mary Jane" (remixes 1 and 2 from take 4)
    Mono mixing
        "Savoy Truffle" (remixes 1 - 6 from take 1)
        "While My Guitar Gently Weeps" (remixes 10 and 11 from take 25)
        "Long Long Long" (remixes 2 and 3 from take 67)

15 October 1968
Studio Two, EMI Studios, London, (6.00pm-8.00pm)[157]

    Stereo mixing
        "Happiness Is a Warm Gun" (remixes 1 - 4 from take 65)
        "I'm So Tired" (remixes 1 - 5 from take 14)
        "Cry Baby Cry" (remixes 1 - 3 from take 12)
    Mono mixing
        "I'm So Tired" (remixes 1 - 3 from take 14)
        "Cry Baby Cry" (remix 1 from take 12)

16 and 17 October 1968
Studios One, Two and Three and rooms 41 and 42, EMI Studios, London, (5.00pm-5.00pm)[157]

    Mono mixing
        "Crossfades and edits for LP
        "Why Don't We Do It In The Road" (remix 1 from take 6)
    Stereo mixing
        "Crossfades and edits for LP
        "Why Don't We Do It In The Road" (remix 1 from take 6)

Studios Two (Control room only), EMI Studios, London, (time unknown)[157]

    Tape copying
        "It's All Too Much" (of take 2, called take 196)
    Mono mixing
        "It's All Too Much" (remix 1 from take 196)
    Stereo mixing
        "It's All Too Much" (remix 1 from take 196)

18 October 1968
Studios One (Control room only), EMI Studios, London, (12.00pm-1.00pm)[158]

    Tape copying
        "Yer Blues" (of edit of remix mono 3 and edit piece take 1)
        "Don't Pass Me By" (of remix mono 1)

Yellow Submarine session
29 October 1968
Studio Three (control room only), EMI Studios, London (10.00am-1.00pm)[158]

    Stereo mixing
        "Hey Bulldog" (remixes 1-3, from take 10) - released on Yellow Submarine (stereo)
        "All Together Now" (remix 1, from take 9) - released on Yellow Submarine (stereo)
        "All You Need Is Love" (remixes 1-6, from take 58) - released on Yellow Submarine (stereo); included on Magical Mystery Tour (stereo)
        "Only a Northern Song" (remix 1, from remix mono 6) - released on Yellow Submarine (stereo)
    Personnel
        Production staff: Geoff Emerick (engineer), Graham Kirkby (2nd engineer)